Fred Hughes told me the guy that’s on the front of that album is Corey Grant Tippin. And I want to do it in color, so if somebody opens a zipper, they see the pants and the flesh.” So he said, “Oh, that’s a nice idea.” I said, “And I want you to get the same guy.” But I don’t think he did. I told Andy, “I want you to get that same and do a shot of the tighty-whities from the middle of his stomach, down to his legs. When I decided that the zipper could damage the vinyl, I decided to fold in a third panel. There was some strong, strong tracks, “Bitch” and “Brown Sugar.” I said, “There’s four or five singles in this, man.” He said, “Yeah, there are.” So I’m thinking, They’re going to order a million. And, of course, they’re going to be hyping one another, like I was hyping Marshall, but it was legit. I’m in the lobby and Marshall comes down out of the room and I said, “That fucking album, that’s the best album I’ve ever heard of the Stones, man.” And he was happy too. So Marshall says, “You know, Ahmet wants to do a sound session in the Century Plaza Hotel in L.A., where he’s going to play the album for all the promotion guys and all the salesmen all over the country, the regional guys, everything. I think it sold three, four million copies.Īfter Marshall saw the different ideas, the were pretty stuck on the zipper idea. had this 12-foot strip, “Do a number with Cheech & Chong,” with this joint.
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And I did billboards with giant, 40-foot joints on them, “Do a number with Cheech & Chong.” I did buses. But that’s an example of a package that would have sold without a record in it. Man, you’re going to fucking die when you see this.” I have to say, the first album was a motherfucker, but the second one, there were about four laughs in it, between you and me. So I called Lou, I said, “I got a package for the second album for Cheech & Chong. And then when Marshall saw that, he said, “God, that’s fantastic.” And I said, “Well, yeah, but you’re staying with the zipper?” And he said, “Yeah.” So I said, “Okay, I’m going to send this to Lou Adler.” And we’ll do a giant cigarette paper with the Stones inside.” It was a motherfucker and I still kept it. So I got ahold of my illustrator and my mechanical guy and I said, the next morning, “Let’s make this part of the Stones presentation. I had a glass desk in my office and all that was sitting in front of me was a Bambú cigarette-paper package, because I just rolled the joint, and I thought, It’s square. One night when I was high-and I mean, that was almost every night. But anyway, I didn’t show that because that’s when Mick Taylor joined the band for Sticky Fingers. I was cringing myself when I saw the prints. And so these faces were looking in the pool. And then I blew up these heads of the Stones.
![the rolling stones sticky fingers songs the rolling stones sticky fingers songs](https://www.superdeluxeedition.com/wp-content/uploads/2015/03/sticky_fingers-480x320.jpg)
So I had a photographer with a waterproof camera go. Marshall had a house at the top of Mulholland and Coldwater and he was taking a house at the beach, so I took over his house up there and it had a pool. (His son Nicholas Braun played Greg Hirsch in HBO’s Succession.
#The rolling stones sticky fingers songs tv
After recovery, he began an acting career, appearing in TV shows like Law & Order and Billions. It was heady stuff for Braun, who, after winning a Grammy in 1974 for his packaging of the orchestral version of The Who’s Tommy, fell into the classic 1970s pitfall of cocaine addiction. Overnight, Braun went from a printer of hype stickers for record companies (“Includes the hit single…!”) to socializing with Jann Wenner, Lou Reed, Elaine Stritch, Richard Avedon, and Salvador Dalí. The story behind the Sticky Fingers cover begins with Warhol, who in the 1960s stewarded Braun, a working-class Chicago guy, from the mundane world of die cutting and print manufacturing to the hot houses of rock and roll, high art, and high society, which at the time were bleeding together into a new jet set.
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(Original copies of the album can sell for hundreds of dollars on eBay.) The album cover was a collaboration between Warhol and Craig Braun, who was known in the heyday of vinyl records as a designer of sophisticated cover packages, starting with the Velvet Underground & Nico LP adorned with Warhol’s famous banana print, which could be peeled from the album itself to reveal a suggestive pink banana underneath. The zipper pulls down to reveal another crotch in white underwear. The songs, of course, have been embroidered on FM radio for decades-with “Brown Sugar” stirring controversy to this day -but just as unforgettable is the seamy LP cover, which depicts an anonymous denim-clad crotch, an image arranged by Andy Warhol, with a real, working zipper embedded on the cardboard. This month marks the 50-year anniversary of the release of Sticky Fingers, one of the greatest and most notorious of the Rolling Stones’ 30 studio albums.